In October 2005, I was working on my fourth Mills & Boon book, MARRIED IN A RUSH. I’d sold my first title back in July 2004, but because of scheduling and line changes none of them were due to start coming out until March 2006, when my first book was going to be a lead title for the new Modern Heat line. So I was steadily working on building a backlog of titles to be published. Meanwhile, my agent was working on selling my first single title book, SPIRIT WILLING, FLESH WEAK. Though I wasn’t actually published yet, because of all this frantic activity going on behind the scenes, within a year I would have five books out with two different publishers. A level of overachievement which I hope to never have to match again.
2. Where did you get the idea from for this particular book?
I am a total sucker for twin stories. To the extent that when I ordered books for research for writing GETTING AWAY WITH IT, I realised when they turned up that I’d read several of them already. I also love, love, love writing books about deception and identity. So the idea of a story about a woman pretending to be her identical twin sister wasn’t new, but it was irresistible.
3. Where do you hope to be in 5 years time?
On a Greek island, lying on a beach, being fed ripe grapes and retsina by David Tennant. Oh, wait. You mean in my career? Well, I have wild dreams of course of hitting bestseller lists and being invited to amazing parties et cetera, but really, I’d like to still be published, still be making a living by writing books. It’s been my lifelong dream and I can’t imagine anything better.
4. Which was the last book you read that you wish you'd written?
TAKE A CHANCE ON ME by Jill Mansell. Jill has a wonderful, effortless way of instantly drawing you into her characters’ lives. I love her voice, and I love how she makes you laugh and makes you care. There were some really touching moments in this book, too. Also, when I read it on a train, women who also love Jill Mansell books started chatting with me. Fab.
5. Was there any particular author or book that made you want to be a writer?
The Earthsea trilogy, by Ursula LeGuin. When I was ten or so, her richly-imagined fantasy world blew me away and I immediately started working on my own (blatantly ripped-off) version. Drew a map and everything. The map was way better than the story.
6. Do you find writing love scenes giggle-worthy or cringe-worthy?
Neither, really, though more giggly than cringey. As my books have got longer, I’ve found myself writing fewer and fewer sex scenes and they’ve started to be even more emotionally important. So I take them pretty seriously. That said, I may occasionally indulge in a glass of wine or two while I’m writing them, and then I might giggle. A bit. Well, okay, a lot.
7. What's the most romantic moment of your life so far?
I used one of my first advance cheques to pay for a holiday in Venice for me and my husband. As the holiday was because of romance, we agreed he would kiss me every time we crossed a bridge. And there are a lot of bridges in Venice.
8. What do you wish you'd known about being an author before you were pubbed?
How the writing itself doesn’t get much easier. Sure, the experience of having written several novels definitely helps. And it helps to have professionals on my side, giving me advice. But the actual writing can still be hard work, and I’m still beseiged by crows of doubt on a regular basis. I thought once you were published, it all got to be second nature. Ha! As a matter of fact, I’m more neurotic than I ever was before—not least because I know exactly how lucky I am to be published!
9. What's the best writing advice you've ever been given?
When I was starting out, bestselling M&B Modern author (and dear friend) Kate Walker told me, “Don’t be afraid of emotion.” Like so many beginning authors, I was afraid of really digging deep into my characters and putting them in situations where they would suffer. I liked my characters too much to put them through it. But if they don’t suffer, they don’t learn. And if they don’t learn, they can’t earn their happy ever after. I still use that advice today, often in revisions where I have to uncover another layer of emotion.
10. Tell us about your latest release.
GETTING AWAY WITH IT is my first standalone women’s fiction title with Headline Review. It’s the story of stunt woman Liza Haven, whose life is shattered when a film stunt goes horribly wrong. She goes back to the village where she grew up with her perfect identical twin sister, Lee—only to find that Lee has disappeared, leaving behind their difficult mother, their flagging family business and a dangerously attractive boyfriend. What’s more, everyone in the village thinks that Liza is Lee.
It’s a book about identity, disappointment, love, danger and the true meaning of ice cream, and it’s out in hardback and trade paperback on 28 October. It’ll be out in mass-market paperback in April 2011.
11. What's next for you?
Right now I’m working on my follow-up book to GETTING AWAY WITH IT. It’s another contemporary women’s fiction novel, about a woman who gets a job in a stately home where everyone’s pretending it’s 1814. It’s sort of two stories in one—the contemporary story, and the Regency story—and it is just fantastic fun to write and research. I’ve been going to Regency re-enactment events and meeting fascinating people. That book should be out in 2011.
Thank you to the Minxes for having me again!
You can order the discounted hardback of GETTING AWAY WITH IT with free shipping here:
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GETTING AWAY WITH IT
A little white lie. A whole lot of trouble...
Coming October 2010 from Headline Review
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